Paving The Way For People With Disabilities In Lebanon

First appeared on Ctrl.Alt.Shift on March 22 2011

The Lebanese Physically Handicapped Union’s mission is to promote dignity through equal opportunities and ensure the social and economic integration of people with disabilities in Lebanon. Amy Hall finds out more, and looks at one particularly inspiring case study; the story of 19 year old Naghem Hasha…

People are only ‘disabled’ because they are in situations that make it harder for them to do things than ‘able bodied people’. Lack of facilities, discrimination and little of understanding mean that people can miss out on education, employment and face social exclusion.

This is especially a problem in Lebanon where Christian Aid partner, the Lebanese Physically Handicapped Union(LPHU), calculate 7% of the population have some kind of disability. Poverty can take many forms, and although in Lebanon things like life expectancy are high, many people are locked in poverty by laws and structural inequality. People with disabilities are often marginalised from public life.

Naghem Hasha is a 19 year old student and wheelchair user who is determined to prove negative perceptions wrong. Tabitha Ross, Christian Aid’s Middle East Communications officer, spoke to her on a recent trip to Lebanon.

“People look at you and treat you differently,” says Naghem. “If I cared what others say, I wouldn’t even leave my room. I can prove that I am more than my chair. It doesn’t matter what others say and think – what matters is what you say and think of yourself.”

It is partly this determination, and help from LPHU, which means that Naghem is now the first wheelchair user at her university. Young wheelchair users in Naghem’s home region of the Bekaa do not usually have the chance to study at local universities, but LPHU raised awareness at the university about inclusion and accessibility and Naghem now studies Business there.

“My friends from school who had disabilities did not go to university, even though I went to school in Beirut,” explains Naghem. “Some of them didn’t go because they had to live at home and they couldn’t find a course in their area; some had difficulties in getting accepted, or there was no disability access in the university. Some didn’t want to enter a world in which they would be different.”

However, Naghem has had no problems with discrimination at university and says she is treated like anyone else. She is cautiously hopeful about the future: “There’s still lots of barriers here to doing what you want. As much as I can, I liberate myself from my situation, so we’ll see what I am able to achieve.”

The Director of her university, Saad Hamzi, thinks Naghem’s future is bright. “She’s open and loves people and they love her back. She’s very active and has been getting good grades, especially in maths.”

It also seems Naghem’s pioneering spirit has paved the way for more local wheelchair users to be able to attend university. “Naghem has really opened the way for others, says Saad Hamzi. “She’s encouraged us to accept others like her case, or even more complicated cases.”

LPHU’s mission is ‘to promote dignity through equal opportunities and ensure the social and economic integration of people with disabilities’ – and it seems that for Naghem, they are well on the way to doing that.

Egypt’s Child Workers

First appeared on Ctrl.Alt.Shift on March 22 2011

In the midst of the recent revolution in Egypt, Amy Hall takes a look at the on-ground rehabilitation work with Egypt’s next generation…

Egypt has become famous for its recent revolution, toppling one of the world’s longest serving presidents, Hosni Mubarak. Protesters were unhappy about their standard of living, the lack of accountability and transparency in society, and high levels of corruption.

Despite its high profile as a tourist destination, 20% of people in Egypt live below the poverty line and there are 2.7million child workers. Tabitha Ross, Christian Aid Communications Officer for the Middle East, visited Egypt last year and spoke to some of these children, working in limestone quarries.

13 year old Haytham Abdulazuz works at a quarry full time: “I didn’t like school because the teacher hit me and was always unpleasant to me. It’s better to work here and have some income for me and my family.”

Mina Said, now 15, left school at 13 but is now back in education thanks to help from Wadi el Nil, a Christian Aid partner organisation Christian Aid supports Wadi el Nil to train and empower adult quarry workers to claim their rights, such as the right to education for their children.

Mina said he suffered no violence at his previous school but the low quality of teaching meant he felt he was better off earning money for the family. “The subjects were difficult and there was not enough time and the teachers didn’t explain clearly so I felt lost.”

Mina now says he enjoys school and wants to stay in education; “If you don’t finish school, the only place for you is the quarry, and many men die there.”

Mina was keen to go back to school, partly after he broke his arm in an accident at the quarry where his family had to pay two thirds of the medical costs. However, he says he was nervous: “Sometimes they won’t take boys back if they’ve missed too much, but Wadi el Nil arranged with the school for us to go back, and made sure we could catch up by providing special classes. I really enjoy it with my friends, about 10 of us, who all came from the quarries.”

16 year old Issa Khalef Hana works in the quarry part time and goes to school hoping that his opportunities will increase if he finishes his education. He also says the owner of the quarry where he works treats his workers a lot better than others as he “covers the electric cables and doesn’t fire you if you have to take some days off, or have an accident.”

As Egypt works to build a more positive future it is hoped that less children like Issa and Haytham will have to risk their lives working in quarries and more, like Mina, will be able to go to school. This is the generation that will want a better Egypt for themselves and their families so their children won’t be spending their childhoods in quarries – and Christian Aid and Ctrl.Alt.Shift will be behind them all the way.

Freedom Of Expression In Lebanon

First appeared on Ctrl.Alt.Shift on March 9 2011

Amy Hall reports on the work of Mouvement Social in Lebanon and how they combine creative space with academic excellence and support for young people…

In education when too much emphasis is put on exams, league tables and grades, the opportunity for creativity can be neglected. But the arts can also be a great healer and outlet for frustration.

Mouvement Social, a Christian Aid partner in Lebanon, promotes the value of creativity, as well as access to a good academic education. They are a volunteer movement of young people who provide social services to Lebanon’s poorest and most marginalised communities, including making sure children who have been excluded from school get a good education.

Christian Aid Communications Officer Tabitha Ross visited Lebanon and spoke to young people who had been to Mouvement Social schools. Children traumatised by conflict can be disruptive in school which often leads to exclusions. Widespread poverty means many parents can’t afford to send their children to school if there are no free ones locally. Also, some children are excluded from Lebanon’s school system on grounds of nationality,  such as the children of Syrians or Kurds working in the country.

Ali Al Afee, who is 14 years old, is a pupil at one of Mouvement Social’s schools. He was expelled from his last school after a cycle of violence: “I got angry whenever someone spoke to me. I also used to hit teachers – and the teachers used to hit me too, with a big stick.”

Ali lived through the war in Lebanon in the summer of 2006 during which his neighbour was killed after a bomb fell on his house. Now he dreams of being a film director: “I like the arts. The theatre helps people to express themselves and talk about the important things in life.”

16 year old Hanan Madyak’s parents had been too poor to send her and her sister to school before she found out about Mouvement Social alternative education centres, which are free. After training in photography she is now an intern at a studio that has offered her a job when she finishes her education.

“Mouvement Social created a 180° turnaround in my life,” she says. “If I’d not come here, I’d have stayed at home, learning nothing. There’s many girls in this situation.”

Hossam Houhou is now aged 17 and says his life has also turned around. He went to extra classes and a summer school provided by Mouvement Social and now helps run the issues based theatre workshops on things like domestic violence, drug abuse and the differences between people.

Mouvement Social also puts great importance on achievement in the more academic areas of school as Ali explains: “The rules here are strict.  There’s an evaluation system and you get penalties for violence… I think it’s a good system.”

Mouvement Social’s combination of creative freedom and high standards of academic teaching are made stronger by its commitment to Citizenship, defined by Hossam as: “How to accept the other.”

“The solution is to work on yourself and accept others, and then society will change.”

CAS @ Bristol’s Start The Bus – International Women’s Day Highlight

First appeared at Ctrl.Alt.Shift on March 23 2011

March 8 2011 was the 100th anniversary of International Women’s Day. Amy Hall reports from Ctrl.Alt.Shift’s celebrations at Bristol’s Start The Bus…

The first International Women’s Day was established in 1911 when more than one million women and men attended rallies calling for women to have the right to vote, work and take an active part in public life.

Fast forward 100 years to 2011 and the day is still relevant; women are more likely to suffer lack of access to education, healthcare and employment. This is not just a problem in so called ‘developed’ countries; women in the UK are still under represented in parliament and more likely to be living in poverty.

Ctrl.Alt.Shift celebrated International Women’s Day in Bristol, collaborating with Bristol University Feminist Society to present a bill of inspiring female performers. The struggles of other women across the world is what inspires Sophie Bennett, the society’s president. “We really need to show solidarity with women all over the world”, she explained. “Its now more dangerous to be a woman than a soldier in some areas of conflict so we really need to show support for those women as well as celebrating our collective achievements.”

Jonathan Godwin, 20, told us it was time to full recognise the achievements of women: “The heads of most companies, and even the head of the UN, are traditionally men. An obscenely high proportion of work and progress made in the world is made by women and not enough recognition is given to that.”

Start The Bus is slap bang in the middle of Bristol’s city centre, a dark and atmospheric venue with kitsch decorations and on March 8, it was packed with people ready to be inspired. There was a laid back, acoustic vibe to the night as 11 varied artists took to the stage; a healthy mix of originals and covers – songs by strong female artists like Tracy Chapman and Florence ad The Machine were big features, as well as insightful original tracks.

The intense and beautifully soulful voices of Rima Doal and Celestine, whose cover of Nirvana’s Smells Like Teen Spirit caught the attention of the audience, were juxtaposed with Charlene, a woman who despite being a lone dancer communicated a whole lot of expression. Folky, sweet stories with ukuleles and guitars also got a look in with Esther Taylor and Jenna Fentiman. DST changed the pace, with two MCs and a DJ rapping over some mixes of hip hop tracks with conscious, original lyrics.

Stand up comic Elf did a short set of funny anecdotes from her life as a former model and writer of (bad) erotic fiction as well as her relationships with family and friends. We caught up with her after her performance and she told us how important she thinks gender equality is. “As a female comedian I want to be known not as a female comedian but as a good comic, especially in a world that is very constrained by whether you happen to be a male or a female.”

Mirelle El Malgrissy and Angela Morgan stripped it back with acoustic guitars and powerful voices, as did Becca Sanders who could sing a dictionary and make it sound full of emotion and insight. Lionheart headed up the evening armed with a banjo and wistful stories including one about a man who she should have realised was bad news by the way he treated his books.

The night was buzzing and full of talent. Natasha Kendrick, 23, is a student at Bristol UWE: “International Women’s Day celebrates all the talents that women have and that’s really been highlighted tonight by all the fantastic performers we’ve heard. It would be fascinating to be here again in 100 years and see how many more achievements we have to celebrate.”

Craftivist Stitch-Ins For Fair Fares: Please Support them :)

I’m very excited to be going on the Railway Adventure on April 16. Here’s a blog from the Craftivist Collective on some stitch-ins and protest picnics happening at a station near you!

At 1pm on Saturday 10th April craftivists across the UK will join a nationwide protest to demand a halt to rail fare increases.  Currently the coalition Government plans to hike fares by 31% over the next 4 years. This is a huge issue and the Craftivist Collective would love you to support them.

The Craftivist Collective are supporting Climate Rush on the Railway Adventures campaign. Hundreds of craftivists (activists who protest using scissors, thread and fabric) will converge on railway stations across the UK for a super cute kitsch protest picnic and stitch-in.  They will be creating 4inch deep x 7inches wide fabric train coaches covered with statistics, facts, quotes and consumer views on our Government’s carbon-friendly transport policy, whilst drinking tea, eating jam sandwiches an

d talking about the issues. The various panels will be collated into a petition-train which will be taken on a Fair Fare Railway Adventure on Saturday 16th April.  It will be delivered to Philip Hammond MP (Minister for Transport) by direct action group: Climate Rush.

Sarah (Craftivist Collective) and Tamsin (Climate Rush) with their carriages

So far we there are craftivists coordinating stitch-ins in:

Brighton, Hastings, Coventry , Birmingham, Dorset,Leeds, Bristol, London, Manchester, Devon and Cornwall.

If you want to do coordinate a stitch-in near you please email craftivist-collective [at] hotmail dot com

They would love your support. Please join one of the pretty stitch-ins, set up your own or craft a carriage and post it to the Craftivist Collective before 15th April. You can find flyers, posters, content for our bunting petition, examples all here. They are also making an instructions video which will be available before end of March- watch this s

Philip Hammond MP, Secretary of State for Transport, said:

“Whether we like it or not, the ability to travel point-to-point on an individually-tailored timetable [i.e. in a car] is one of the great quality-of-life gains of the second half of the 20th century.”

Sarah Corbett, Founder of the Craftivist Collective, said:

“As the Craftivist Collective we are passionate about showing our love for local and global neighbours. These unfair fare increases will stop people using trains when we need help keeping our carbon footprints down. The increases will hit people living in poverty the most and stop them getting to their jobs and alienate them even more from society.

“Short-haul flights and cars shouldn’t be the cheapest most convenient option. Philip Hammond MP wants to hike fairs a massive 31% over the term of this Government. We’re here to demand fair fares and a sustainable alternative.”

On Saturday 16th April Craftivists with join Climate Rush on a Railway Adventure.  For more information please visit the Railway Adventure blog.

Ctrl.Alt.Podcast

At last, after many months of deliberating the Ctrl.Alt.Shift Podcast is off the ground in conjuntion with the excellent SOAS Radio.

Episode one focuses on gender equality and was done for International Women’s Day which was on March 8.

Check it out at the SOAS Radio website.

Episode 2 should be out at the beginning of April and will centre on Tax Justice. We are hoping it will be bigger and better so watch this space.

Another Person’s Rubbish

First published on The National Student on March 2 2011

They say the customer is always right. However the customer is also demanding, sometimes too demanding. We all know how frustrating it can be when the one thing we want in the supermarket has just run out.

It occurred to me this week, while reading about the case of Sacha Hall, who is being taken to court on the charge of ‘theft by finding’ for taking some of Tesco’s discarded food, that maybe customer attitudes are partly to blame for the food waste of retailers. Maybe we shouldn’t expect things so much and there’d be less.

Searching for salvageable food

Of course there is always the, more likely, argument that the reason that supermarkets produce so much is because they can afford it and just in case people do want it, they will earn more from selling it then they have spent producing it. You are a lot more likely to find a lot of edible waste in the bin of a large supermarket than a small independent shop as they probably had more stock to start with and it is likely to be wrapped in a lot more packaging.

According to the Waste and Resources Action Programme (WRAP) we waste a third of our food in the UK, partly because businesses often throw out perfectly good food that is passed its sell by date or superficially damaged, as well as that no longer fit for consumption.

The fact is waste, in all areas of our society, needs to be reduced. WRAP say that 20% of the UK’s greenhouse gas emissions are associated with food. Endless consumption is not sustainable. Many supermarkets use waste to go towards powering the national grid but still many are throwing out massive bins of good food every day.

People who make use of this waste are known as part of theFreegan community. People who try, at least as much as they can, to take themselves out of the system by not spending any money. A concept that has been made more popular by Mark Boyle, ‘The Moneyless Man’. Part of this lifestyle is taking food from bins known as ‘skipping’ or ‘dumpster diving.’

Of course businesses have concerns of getting sued if someone got food poisoning from eating their discarded food but surely if you get sick from eating food from a bin it is your own fault and definitely something that needs a little research on tips before doing it. Freegans need to be careful to look for open or swollen packaging and especially careful with meat and dairy products.

Ideally there would be systems in place to make sure that good surplus food goes to those who need it most. Organisations likeFareShare work with businesses to do this using surplus ‘fit for purpose food’ to give to organisations that work with the most vulnerable people in society.

In Sacha Hall’s case, Tesco said that the food had been left outside the store as a power cut meant a lot of chilled food had been ruined and couldn’t be sold but, in my experience, outside in Britain’s winter makes a pretty good fridge. So Hall and her friends made off with £215.16 worth of food which apparently included packs of ham and potato waffles.

Using someone else’s waste, apart from the obviously monetary benefits, can actually be empowering to do. I have been a regular in taking waste food from bins in the past, and so far have not suffered food poisoning as a result.

Journalists seem to be intrigued by the concept and when I was at uni my friends and myself would often get calls from a curious journo who wanted to come out with us one night. There have been articles and coverage in all sorts of places where journalists have been more than happy to get stuck in themselves, even those who turn their noses up to start with seem to be swung as soon as they see the masses of perfectly good food up for grabs.

Regardless of legality this is the first actual case I have seen and hopefully it will highlight the scandal of waste food and not set a precedent for more court cases against people making use of someone else’s rubbish.

 

Zambian Government Called On To Investigate Copper Unfairness

First appeared on Ctrl.Alt.Shift on March 1 2011

A leaked report has surfaced which accuses a mining company working in Zambia of shady business dealings and cheating the country out of tax money. Amy Hall reports…

Tax dodging is big at Ctrl.Alt.Shift. Developing countries could be losing out on US$billions because of it, while some dodgy multinationals are making US$billions.

Zambia is one of these countries; as one of the poorest countries in the world it has a life expectancy of just 47. Mopani Copper Mines Plc, a subsidiary company of Glencore International, has been accused of shifting its profits out of Zambia so it has to pay less tax there.

A draft of a report into Mopani, which mines copper and cobalt, has been leaked and accuses them not only of ‘tax irregularities’ but also of not following the ‘arms length principle’ meant to stop tax dodging when selling to different parts of the same company. Doing this makes it easier for companies to offload tax bills and shift profits around.

Copper is big business in Zambia, accounting for three quarters of the value of its exports. It is one of the eight largest copper producers in the world but there are dramatic differencesbetween the prices Zambia gets for its copper and the prices received by Switzerland for identical products. If Zambia was able to receive the prices it would have almost doubled the country’s GDP.

Auditors, from Grant Thornton and Econ Poyry, said they didn’t think that Mopani’s records of how much money was coming in and out of the company were trustworthy, leaving US$50 billion unexplained. They are now calling on Zambia’s tax authority to reassess their tax bill.

The Centre for Trade Policy and Development, a partner organisation of Christian Aid, has also joined calls for the government to investigate. Their director Savior Mwambwa said: “The auditors’ report appears to confirm the claims of Zambian civil society that mining companies are depriving the people of Zambia of social and economic benefits that are rightly theirs.”

Glencore International have been quick to defend Mopani. A spokesperson for the company said: “This draft report contains factual errors and inaccuracies. It is based on broad and flawed statistical analysis and assumptions.”

Mopani has received a €48 million loan from the European Investment Bank owned by EU member states. David McNair, Senior Economic Justice Adviser at Christian Aid says that the Bank should investigate the accusations against the company and possibly review who they lend to, “Given that tax abuse runs counter to European development policy.”

Meanwhile campaigners are concerned that countries like Zambia all over the world are missing out on money that could contribute to the welfare of their people, thanks to dodgy multinationals, a shady world finance system and lack of political will.

Call on the G20 to End Tax Secrecy here.

CAS @ Battlefront Debate – Getting You To Hear Us

First appeared on Ctrl.Alt.Shift on February 18 2011

Are young people apathetic or bored with politicians? Would they rather get their voices heard through voting, protests or Facebook? These were some of the questions flying around at Tuesday (February 15) night’s Battlefront Debate – Getting You To Hear Us. Ctrl.Alt.Shift headed over to Channel 4 HQ in Westminster, London, to see what people had to say…..

Battlefront is a Channel 4 project that gives young campaigners a TV and digital platform to make some noise about an issue they’re passionate about. At the debate, an audience of young activists, journalists and students tackled a panel on issues around youth empowerment and successful campaigning.

Those in line for questioning were Tory Tim Loughton MP (Minister for Children and Families), Aaron Porter (NUS President), brand wielder John Stopp (Head of Production at The Viral Factory), Miquita Oliver (T4 and Battlefront host) and road safety campaigner Manpreet Darroch (displaying the fruits of Battlefront 2008).

Questioning went straight onto the topic of Anastasia Kyriacou’s campaign calling for the voting age to be lowered to 16. Manpreet Darroch pointed out how 16 year olds can start families, join the army and work full time; so why shouldn’t they vote? And most of the panel agreed – Aaron Porter, despite assuring everyone he had “no plans!” to become a politician himself, thought young people needed more ways to get into politics in general.

Thoughts swung left, right and centre regarding how that can be done, with some claiming it was also the responsibility of those in Parliament to get off their backsides and do more to engage the next generation… a spot of tension ensued as Tim Loughton was challenged by an audience participant for not responding to her emails (though he did demand to have a chat with her following the debate to exchange details… once again).

Questioning moved on to how to turn engagement with politics and society into real change and youth influence. Manpreet Darroch said a good campaign was all about authenticity and passion. John Stopp agreed and Aaron Porter said a variety of methods was important, including direct action “within the law”. The compare then pointed out historical figures such as Nelson Mandela (who is now seen as a hero to many), have broken the law through direct action to gain a shift in the status quo.

So what new innovative techniques can young people use in campaigning? While John Stopp thought media attention was key, others thought it was more to do with authenticity, grassroots campaigning, and going straight to the source of power.

And what about Battlefront itself? Is it an example of grassroots campaigning; with campaigners supported by Channel 4 and mentored by experts? Miquita Oliver stood firm stating how Battlefront is merely an opportunity, only a platform for people who had already been campaigning for years, with passion for the good cause engrained with and without the project. This was on show during the debate as many of the Battlefront campaigners (past and present) sat in the audience, hands held high throughout to grill the panel and relay their opinions.

One of the final questions of the night regarding voting and political engagement was “how young is too young?” My stand up highlight of the event was the response by Youth Engagement Worker Nikki Brocher, who said we should be talking about an age cap on voting (not a minimum age); as some people over 25 had already closed their minds, and that more young people should have a say as it will be the next generation who will have to pay for the past generation’s mistakes…

But note – whether or not you agree with Nikki or any of the members on the panel, whether or not you’re supported by the media and politicians, whether you take action through Battlefront or Ctrl.Alt.Shift – keep on campaigning, and follow in the footsteps of those all over the world who have kept going until they got what they wanted for their futures.

Soma Ansamble, The Yarns and Queen Street // Live // 01.02.11 // Underbelly

First appeared on Never Enough Notes on February 5 2011.

First to the stage on this incredibly-varied night from Dead or Alive are boys next door, Queen Street. When I say boys next door I mean the kind of boys that have formed a band and practice in their parents garage, with boisterous drums and singing proper indie rock. The neighbours exclaim: “My those two make a lot of noise for just two of them”, and they’d be right.

Although they operate at some pace, Queen Street still find time to slow it down with songs like U Don’t Talk So Nice… which slides through a tale of woe then BAM straight back into it again.

Frontman Jon Dodd certainly fancies himself as a bit of a showman and knows all the poses such as Up On Speaker and Out In Crowd.

The Yarns come next with brass inspired folk. Echoing The Kooks at times, and sometimes with a reggae or funk edge they bring the sunshine into the room.

Soma Ansamble finish the night with the most ferocious conga playing I have ever seen and a demonstration of just how versatile the saxophone can be. Although the instruments sound great, after a few tracks it still sounds like background music. And there is plenty in this venue for the wandering eye including patterned black and white ceilings and a massive gold framed mirror on the stage.

From incredibly sleepy jazz to upbeat funk and rock, the mainly instrumental Soma Ansamble, originally from ‘the Siberian tundra’, are at times surreal and when there is some voice, in No Tomorrow it consists of sax player Philip Filipiuk saying “love me like there’s no tomorrow, fuck me like there’s no tomorrow”, all I can think about is edging away slowly.

6/10