This article first appeared in the Ecologist on 27 April 2012.
A group of naked strangers cycling through a city centre is going to turn heads. Every year across the UK World Naked Bike Ride (WNBR), ‘the world’s biggest naked protest,’ is held to try and get people to notice in the name of oil dependency and pollution, car culture and the vulnerability of cyclists.
The two biggest issues for the naked protesters are our continued dependence on oil dependency and the lack of safe roads and pathways for cyclists, helping us to reduce our dependency on oil. The naked part of the protest symbolises the vulnerability of cyclists as road users.
While the rides themselves are a bold statement, there is debate around whether they are effective in communicating the issues behind them. The organisers of the bike ride say campaigning for better protection of cyclists and promoting cycling itself is the only reason they do it. ‘But bear in mind that those behind it often have their own angle,’ says a spokesperson for the WNBR.
Bigger environmental groups such as Friends of the Earth see the naked protest as something more amusing than effective. ‘I applaud the bare-faced cheek of those taking part in the naked bike ride. Anything that helps raise awareness of pollution and greener modes of transport is a good thing in my book,’ says Andy Atkins, Executive Director of Friends of the Earth (FOE)…
This article first appeared in the Ecologist on 30 April 2012.
Bank holiday weekends are becoming a regular occurrence and with the weather (hopefully) improving, it’s time to get out and explore. For the foodie, this is about more than just enjoying the scenery; there are plenty of treats to be found if you know where to look. But too many of us don’t, says Slow Food UK CEO, Cat Gazzoli, who is adamant that we need to start taking advantage of our ‘forgotten foods’. ‘Eat it or lose it’ is the motto behind Slow Food’s Ark of Taste network, which catalogues forgotten flavours. It currently stands at 700 products from 30 countries. ‘The producers of these foods swim against the tide of intensive production methods to continue the culinary traditions that have been passed down through the generations,’ says Gazzoli. ‘Every product has a fascinating story behind it.’ So what should you be eating this month? Gazzoli has a few unusual ideas.
This article first appeared in the Ecologist on 24 April 2012.
Nobody wants to look at jewellery and feel pangs of guilt but there’s no denying that the industry has a poor record when it comes to ethics with everything from blood diamonds to dirty gold and environmental destruction on the charge sheet. What’s more, according toEthical Metalsmiths, although metal mining only employs 0.9 per cent of the global workforce, it consumes 10 per cent of the world’s energy. ‘Mining is the most environmentally damaging industry in the world, and jewellery is 100 per cent dependent on mined products,’ says Greg Valerio, co-founder of Fair Jewellery Action(FJA) and owner of CRED Jewellery. But does that mean you have to give up bijoux entirely? Well, no. But you do need to know what to look out for.
Gold
Jewellery, according to the Fairtrade Foundation, accounts for around 50 per cent of global demand for gold. But there’s a plus side to its popularity and the yellow metal has become the first jewellery component to get Fairtrade certification. Figures released by the Fairtrade Foundation show that artisan and small-scale (ASM) miners sometimes receive as little as 70 per cent of the internationally agreed price of gold. Along with paying fair prices to workers, in order to be certified, mines must minimise the use of chemicals such as mercury and cyanide to extract the gold from ore. Along with low-chemical gold, there is also Fairtrade and Fairmined Ecological Gold….
Amy Hall speaks to D Murphy about Swansea’s latest wave of squatted community centres, being arrested in the West Bank and years of campaigning for social justice.
D Murphy is part of the self described ‘motley crew’ in Swansea who launched the squatted Cwtch Community Centre in January and February this year. Named after the Welsh word for cuddle, the group took advantage of some of the empty buildings that pepper the city centre.
They started at the empty Dolphin Hotel in the city centre, gaining access through an open window, and running a refreshingly open and successful social centre. After being evicted from here they moved to the JT Morgan department store, were again evicted, then took up the old Earlsmoor Care Home which they renamed Serfsmor. After a third eviction they decided to regroup and take a break.
D, originally from Cork in Ireland, is now concentrating on her trip to Palestine in April with the Welcome to Palestine initiative. She has been a dedicated campaigner for Palestinian freedom since she first went there in 2005.
D started working for Undercurrents, an environmental and social justice video production company, ten years ago. She is their office manager. The charity was founded in 1994 out of a desire to film with people who were protesting instead of behind police lines.
Colleague Paul O’Connor describes her as a ‘mother to all’. “I think her heart rules over her head sometimes but her passion for a cause is admirable,” he says. “She is the glue, which bonds our organisation together.”
Before Undercurrents D worked in research. After doing a master’s degree in Research Methods she got a job doing research for housing and homelessness charity Shelter and later worked for Cardiff School of Medicine and trained someone with a learning disability to carry out peer research.
D has flu today, and is wrapped up in a dressing gown, intermittently coughing. She says she rarely gets ill but when she does it’s her body’s way of saying slow down but the 57 year old shows no signs of doing so.
Caradog Jones became good friends with D through the Cwtch group, despite the 39 year age gap. He says her energy was very valuable to the group. “She was brilliant at facilitating the consensus decision process at meetings, making sure nobody was left out and no one voice dominated,” he explains. “Everybody knows of her, from the local refugees to a homeless mate who knew her as ‘that Irish girl’.”
Is the Cwtch group planning long term?
Most of us work and there are a few students with some flexibility but do we want to do something full time? It’s a huge commitment, unfunded, voluntary and we absolutely do not want to go down the funded route at all; it changes the whole dynamic. I like the idea of just going into empty buildings, doing something creative. You could open up, do nice things, community picnics, barbecues, and whiz out again.
Is the squatting aspect important to Cwtch?
Not for all of us, I’d say it’s about half and half. I’m a mum and a gran and I haven’t done much squatting but I’ve been and stayed in squats and I think it’s a really fundamental right to people in this country, and more so now than ever. It’s not right just to leave buildings empty. If you’re going to, at least offer them to groups, do something positive don’t just let them to deteriorate.
Is there a particular philosophy behind the Cwtch group?
There’s one local businessman who was there from the beginning. There’s a university lecturer and I’m an office manager. There’s a real mix of backgrounds occupations and age, it’s cut across all kinds of boundaries. I suppose it’s the kind of philosophy you would find around the Occupy movement. If you speak to different individuals some would be firmly anti capitalist. It’s not something I broadcast but the principles my heart leads towards are anarchist. Anarchist philosophy to me is the most just of all ideologies.
What other projects are you involved with?
I suppose the biggest passion really in my life, the thing I’m most committed too, is Palestine. After the war Iraq went ahead I was very disillusioned with marching and protesting. I thought a lot about how I want to move forward in my life and I came across ISM (International Solidarity Movement) so I decided to go to Palestine with them. What I saw moved me in such a way that I could never forget Palestine now.
What happened when you were detained?
I went last July with a delegation and we decided to go via Tel Aviv and be open about why we were going. 127 of us were detained for six days. We decided to stay together as a group and went to the passport controls and they said ‘what’s the purpose of your visit?’ We said visiting our friends in Bethlehem and we had an invitation from the cultural centre and straight away we were stopped. By the end of the day we found ourselves in the detention centre. We were detained for no reason simply by wanting to openly visit our friends in Palestine.
People think it’s only around Gaza but there’s a different kind of siege around the West Bank. It’s day-to-day relentless humiliation, degradation and dispossession of land and homes. It’s relentless.
How does Undercurrents and Swansea Telly work?
Undercurrents support anything that’s related to social justice and we do a lot of training around giving people the skills to tell stories about their lives or their issues or their causes. I left a well paid job at the university to have the chance to work with Undercurrents, for half the money, but it’s so much more fun, I absolutely love it.
Swansea Telly is a giant project and we’re the lead partners in it. It’s internet telly for Swansea really. At the moment it’s a lot of community video, but we’re working on a music channel and were hoping to have more local bands on there and maybe more sports. It’s almost like a YouTube for Swansea.
When did you first become politically active?
When I was 16 I got very involved in the Irish language movement in Ireland. They were shutting down a very small school down in Dunquin, an Irish speaking area. I told my mum I was going to stay with my friend and her family, and we were going to study for the week. Instead I did a walk from Cork to Dublin and my mum only found out when I was being arrested in Dublin after an occupation. I had kids quite young: when I was 19 I was pregnant so really the poll tax was my next really active thing in this country; I moved here in 1980.
What do you like to do when you get any free time?
My idea of a dream holiday is to go with a few friends, put a backpack on and to walk for days. For me walking is the only time I slow down. But I think my family is my main hobby. My grandkids range from the age of a few months to 17. We just have a laugh together and I see them whenever I can. They keep me fresh and they challenge me.
What are your hopes for the future?
My biggest hope would be to see peace and freedom in Palestine before I die, it makes me sad me sad because I feel I probably won’t.
I just hope that the capitalist system crumbles. I’m very excited about living in these times because the edifice is crumbling that’s been in place for hundreds of years and I just hope I’m still around when it all comes down. It will be a fearful time but it will be a time that’s full of promise for ordinary people that we can have a better and more just world.
The third and final issue of UpStart magazine is done and you can read the full thing here on issuu
It’s been a great experience for all of us and we’ve learnt a lot. For this last issue I was on the Complete team, making all the final checks, proofreading and final design. We also put together the contents and welcome page and the cover was designed by James Gill.
We’ve now finished the second issue of UpStart magazine and are well on the way to Issue 3 which will be finished next week.
For Issue 2 we have tried to get more of a definite persona for the magazine, concentrating more on practical tips, inspiring an useful stories and improving the design.
For Issue 2 I was on the team behind writing the actual content, whereas for Issue 1 I was on the design section.
Summer is coming. It’s nearly time for sipping cider in pub gardens, going to festivals and wandering through fields. Boat To Row has made the perfect soundtrack to all those things with this re-released EP.
Having at one point done a tape-only release, with Crossroads in 2010, Boat To Row are obviously not afraid to do things the old-fashioned way, with a traditional sound of banjos, ukuleles and melodica combined with slick production.
Amy Hall 